Power Up. Think-piece looking at privilege, cultural capital, values, ethics, and politics within collaborative arts practice: unearthing and unpicking some of the complexities and challenges of sharing power. http://www.creativepeopleplaces.org.uk/our-learning/power
Drama in Education and Immersive Theatre: the Nature of Participation pps 121-125 Scena Theatre Magazine. 3/2015 http://www.pozorje.org.rs/scena/scena153.pdf Find English version at: http://issuu.com/chrissiet/docs/article_for_scena
Developing Agency through Drama. English version. pps 17-22 (Title is ‘Agency’ not ‘The Agency’) The Role of Culture in School:Drama in Education POKRETANJE PROMENA Krisi Tiler
Participatory Arts Alphabet. participatoryalphabet.wordpress.com
Preparing the Reflective Practitioner: Theatre Practice as Reflective Process. Chapter 9. Hybrid Lives of Teaching Artists in Dance and Theatre Arts: A Critical Reader by Mary Elizabeth Anderson and Doug Risner
CREATE NEWS 17 October 2014 The Spectrum of Participation. Essay on the Spectrum of Participation created by Chrissie Tiller
Chapter 8. Participatory Arts and Community Development: Taking Part. Community Research for Community Development. Edited Marjorie Mayo, Zoraida Mendiwelso-Bendek, Carol Packham.
Academy of Participation: Timecase. C.Tiller, L. Ebert, T. O’Brien. pps 14-16 http://issuu.com/riksutstallningar/docs/timecase_toolkit_digital_version?e=3020210/8499975
Review of International Participatory Arts Practice. file:///Users/chrissie/Desktop/ArtworksInternationalNextPracticeReview.pdf
Different but Equal. Informal Learning in the Arts http://www.circostrada.org/IMG/pdf/SAWA_3_EN.pdf
Artists in Creative Education. C.Tiller and S. Clifford. http://www.inroads.org.uk/assets/aice-practical-guide.pdf
Becoming the Change We Wish to See. pp 36-39. ‘Reminder’ ELIA Conference Gothenburg. http://www.elia-artschools.org/images/products/10/Reminder.pdf
Praxis Volume 1: Eds. Chrissie Tiller & Patrick Fox. ISBN: 978-0-9935611-1-5.
Selection of Arts Professional blogs
Women in Waiting? Why is the board and founding team at the new Creative Industries Federation 85% male?
The Thatcher Hangover. Thatcher’s legacy for business models in the arts.
A bid for new audiences? Cheap ticketing schemes alone will never be the answer to bringing in more diverse audiences.
Does opera need famous faces or different places? Bringing opera into everyday spaces may broaden its audience.
A slice of the cake. Reflection on two occasions recently when I held stakes and took part (in the arts).
Creativity Ltd. Response to Culture Capital Exchange’s Creativity and Business: Connectivity, Values and Interventions conference.
More than bread and circuses. Arguing for the value of an ‘austerity Olympics’
Posh, posher, poshest. Reflections on the new wave of ‘poshness’ in the arts.
Goals and Glory: lessons from the manager’s bench? Thoughts on the lessons the arts could learn from football.
The price of everything and the value of nothing? Questioning the social impact of the arts.
I’m all right Nick Speaking out on cuts to education and learning departments.
The grit in the oyster. Is calling ourselves (creative) industries is useful in the 21st century?
Oval House Future Stages Case Study: working with ‘In Role’ Drama
A Matter of Ambition: Re-visiting class in 21st century Britain.
Lost and Found In Translation: Working in intercultural contexts.
New Deal or No New Deal: Revisiting Roosevelt’s policies for the arts in the context of a UK recession